noir comme du jais - definition. What is noir comme du jais
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%ما هو (من)٪ 1 - تعريف

19TH-CENTURY CABARET IN PARIS, FRANCE
Le chat noir; Le Chat noir; Tournée du Chat Noir; Tournee du Chat Noir; Tournèe du Chat Noir; Tournêe du Chat Noir
  • ''Le Chat Noir'' c.1920
  • Detail from ''LE CHAT NOIR'' journal, number 152, 6 Decembre 1884.
  • Le Chat Noir Cabaret original location at 84, Boulevard Rochechouart

Comme d'habitude         
ORIGINAL SONG COMPOSED BY CLAUDE FRANÇOIS AND JACQUES REVAUX, WORDS IN FRENCH BY GILLES THIBAUT
Comme D'habitude; Comme d’habitude
"" (, French for "As usual") is a French song about routine in a relationship falling out of love, composed in 1967 by Jacques Revaux, with lyrics by Claude François and .
Casse comme du verre         
2007 ALBUM BY PRISCILLA BETTI
Cassé Comme du Verre; Cassé comme du verre
Casse comme du verre is the fifth album recorded by French singer Priscilla Betti. It was released on 10 December 2007 on the Jive Records label.
Noir fiction         
  • Jim Thompson]], an example of noir fiction.
GENRE OF FICTION
Mediterranean noir; Mediterranean Noir; Roman noir
Noir fiction (or roman noir) is a subgenre of crime fiction. In this subgenre, right and wrong are not clearly defined, while the protagonists are seriously and often tragically flawed.

ويكيبيديا

Le Chat Noir

Le Chat Noir (French pronunciation: ​[lə ʃa nwaʁ]; French for "The Black Cat") was a nineteenth-century entertainment establishment, in the bohemian Montmartre district of Paris. It was opened on 18 November 1881 at 84 Boulevard de Rochechouart by the impresario Rodolphe Salis, and closed in 1897 not long after Salis' death.

Le Chat Noir is thought to be the first modern cabaret: a nightclub where the patrons sat at tables and drank alcoholic beverages while being entertained by a variety show on stage. The acts were introduced by a master of ceremonies who interacted with well-known patrons at the tables. Its imitators have included cabarets from St. Petersburg (Stray Dog Café) to Barcelona (Els Quatre Gats) to London's Cave of the Golden Calf.

In its heyday it was a bustling nightclub that was part artist salon, part rowdy music hall. From 1882 to 1895 the cabaret published a weekly magazine with the same name, featuring literary writings, news from the cabaret and Montmartre, poetry, and political satire. It was the subject of an iconic Théophile Steinlen poster in 1896.